In spring 1872, Rimbaud has ever upset the rules of poetry in verse. Unable to determine the break of eleven syllable verse of the poem Tear . Some poems contain false to a line of six syllables appears in the middle of the poem pentasyllabes Golden Age. Difficult to understand the pattern of rhyming poems such as household Young, Comedy of thirst or Tear always, not to mention May Banners . This joyous massacre conventions experienced warning signs. For example, in 1871, Rimbaud has practiced hybrid rhyme a word ending in "s" with a word that ended either with an "s" or a "z , "or with an" x ". This is true of the rhyme "green-cabbage": "rubber" of the poem my little loves doubly culpable: and the "c" and the "s" discredit the choice of the plural "rubbers" as a rhyme in singular "green cabbage" . The audacity of Rimbaud is a continuation of daring romantic poets: Hugo, Baudelaire, Banville and others. Then, suddenly, Rimbaud would have worsened the provocative approach. In such a framework of understanding, metricians were asked to date each of the successive types of transgressions. Before Rimbaud, slow This change enabled a better understanding and consider the strengths of the system. From 1872, it only remained to see how global destruction brought about by Rimbaud. This view is somewhat schematic and never failed to reach a more nuanced speech, but we remain locked in a comparative approach between the body of different authors or different eras. However, Jacques Bienvenu discovered a cause external to the changing metric Rimbaud: the Little Treaty of French poetry Banville.
long, we believed that the treaty had been published until 1872. The document passed just to the past as contemporary verse by Rimbaud and no one thought to consider it as a trigger. Jacques Bienvenu revealed that the first four chapters of the treaty were published in L'Echo the Sorbonne during the school holidays of summer 1870. With great insight, the critic noted that Banville had responded at the same time the first letter of Rimbaud and it was likely that this response comportât an allusion the forthcoming publication. The first four chapters of the treaty became a possible source of ideas expressed in the letters say "You" or even daring verse three poems contained in the letter of 15 May 1871 Demeny. That's because Banville forgot to outlaw rhymes with a singular plural (name reductive convenient) that Rimbaud would have dared to throw his head into my little loves poem rhyme provocative "green cabbage" : "rubber" we talked above. Such is the thesis of Welcome which we fully support. It may be noted that included in the same match, the poem Parisian War Song is known for his break in the alternation of masculine and feminine rhymes in the last quatrain. The previous quatrains opened by a male rhyme (no final "e") and ending with a feminine rhyme (with "e" final), which forms a feminine cadence: "because , "/" green "/" Picard / "Open" or "hot" / "oil" / "right" / "role". The final quatrain reversed the distribution by a masculine cadence "loll" / "Squat" / "break" / "friction", which was a direct successor to two distinct feminine rhymes of a quatrain to another: "role" / "Loll". Rhymes with potential title Odes funambulesques banvilliens triplets in the Heart tortured and sent to Izambard references ironic poems in the margins "What rhymes!" Complete and strengthen this hypothesis we have avoided empty folder here exhaustively.
Jacques Bienvenu also gave an eloquent proof of the importance of reading Rimbaud. In the letter which contains the poem What the Poet about flowers , Rimbaud comes Banville to as an "imbecile", which is clearly referring to the awkward speech of the author of Small Treaty of French poetry overwhelming the reader expected this name, as the bias that would not naturally poet he would not have received the innate gift of rhymes and it would be reduced to learn to imitate the aesthetic rendering compliance. Whatever the moment the enormities, blunders and absurdities accumulated by Banville in his treatise, it is nonetheless clear that Rimbaud had read many ponder this theoretical a practitioner for which he had the sympathy and admiration. However, after the treaty was published at the end of the year 1871, roughly at the time of lodging of Rimbaud by Banville. Therefore, the treaty as a whole might have inspired the entire revolution of Rimbaud metric for the year 1872. Here comes a new thesis Welcome. Paul Verlaine and Arthur Rimbaud had long discussions between them by treaty, and this would have earned as much from 1872 to the Rimbaud that Romances sans paroles Verlaine.
We are able to prove Welcome that was right, and this evidence does not involve an analysis in terms of rhyme, but by analyzing the plane of the inventory of meters.
continued ...
Bibliography :
WELCOME, Jacques, "What is said about poets Rimes" , wild Parade, No. 5 symposium, conference proceedings of Charleville-Mezieres in September 2004, 2005.
WELCOME, Jacques, "Intertextuality Rimbaud: Banville, Mallarme, Charles Cros "wild Parade No. 21, 2006.
WELCOME, Jacques, "The Art of Poetry Verlaine: a response to the Treaty of Banville, Europe, No. 936 (issue devoted to Verlaine), April 2007.
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