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Kung Fu Panda 2: Defy Po in a duel of scrutiny

Synopsis: After "Shrek" and "Madagascar," DreamWorks Studios presents "Kung Fu Panda 2." Po's Dream came true: He became the Dragon Warrior, which protects the Valley of Peace with his friends the Furious Five: Tigress , Crane, Mantis, Viper and Singe.Mais topissime this life is threatened by a new enemy, determined to conquer China and destroy the kung-fu using a secret weapon and indestructible.Comment Po can he win a weapon stronger than the kung-fu? He will turn to his past and discover the secret of his mysterious origines.Alors only he could release the necessary force to overcome.
Released June 15 2011En 3D and 2D

Pending the return of Po on the big screen, challenge him in a duel scrutiny.

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Touch-Berrichon by Jacques welcome.

Autoportrait de Rimbaud en Afrique.Tirage original / Musée Rimbaud, Charleville

;

Self-portrait of Rimbaud in Africa retouched by Paterno Berrichon

The issue of photography is of Aden resolved, it is time to return to the real problems of iconography Rimbaud. It has never been a serious study, moreover, it has been completely transformed by the biographer and last should be the appropriate time to take stock.

In a "web publication" that he worked and therefore he approves, denies Mr Lefrere Berrichon touch up, simply because this city has escaped him. However, is to deny the obvious. Thus Mr Ruchon revealed in 1946 a self-portrait of Rimbaud original which we knew that the photograph published by Berrichon in 1922. That this portrait was retouched by the husband of Isabelle Rimbaud is certain. Berry himself says in his correspondence with Isabella :

"From the photograph of Arthur at Harrar, here's what party I intend to take, with your consent: tomorrow, go to the laboratory of Dr. Lippmann, Academy of Sciences and inventor of color photography, and ask him if it is not possible to bring on a new snapshot, the intensity. If so, we will see to make this reproduction. So, as this photograph manages quite well, engraving could be done. " Sketches, p. 146

Gabriel Lippmann French physicist was not anyone and he won the Nobel Prize for Physics in 1908 for his method of color reproduction, which is still a quality unsurpassable.

Denounced by François Ruchon globally in 1946, touchups Berrichon are undeniable. Unfortunately Mr. Ruchon made many mistakes, publishing a photograph of himself to Carjat, very bad and retouched. This question is very difficult and I intend to explain all this in an important study, including portraits of Rimbaud Carjat, which will hold many surprises. I think being able to reveal the true picture of Rimbaud.

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Next article: retouching Berrichon by Jacques welcome.

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Music Series: return on Soundtrack mythical

Music is an essential element of the narrative TV series. Choosing the right music, whether music hits, classics or independent discovery is to define the identity of a work. The Weekly Series Soundtrack decrypts the four series in which music plays a key role. Also in

summary
- Adrienne Palicki will WONDER WOMAN ABC
- Kiefer Sutherland returns on FOX TOUCH
- Ashley Judd becomes a CIA agent in ABC
MISSING - The Inbetweeners: the hilarious misadventures of a nerd Made in UK
- The Danish thriller THE KILLING back for a second season

a bonus to finish The Simpsons make fun of the movie at the French, parodying the Triplets of Belleville ...

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Article "Is Arthur Rimbaud or another?" Corrected version

Pending a correction to be published in Le Monde "paper", here that of Monde.fr

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Excellent detective Reinhard Pabst, Jacques Bienvenu (first part)

Let us know a little Reinhard Pabst. It recently went on a German radio and it seems that the intervention went unnoticed in France. She dated 9 February and it was made the same day as the publication of the article in the Frankfurter . It is interesting because it clarifies his thinking. I think he no longer speaks of his discovery of the letter dated August 16 Dutra. I suggest our readers go ON THIS SITE

In addition, you can hear his voice CLICKING HERE

I also want to point out that we translated the term "Hobby - Rimbaldist" Mr. Pabst has used me in his article in the Frankfurter by "Rimbaud Sunday. I daresay that Mr. Pabst was never the intention to use an expression - how can I say? - A little derogatory.

Mr. Pabst had simply meant that my main job is to mathematics and that Rimbaud is for me an activity that is a passion for literature. One could also say that Mr. Lefrère whose core business is elsewhere, I understand. But I would hate to believe that those who wrote "Rimbaud Sunday" were to me malicious intent and no one could seriously believe that in this debate of ideas we take them to people who carry them. I just think it is an imperfect knowledge of German, which I totally understand because I am unfortunately not very good in this area. I will continue this chat soon on M Pabst who deserves the greatest interest.

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Review: Paul Gregg Mottola

Synopsis: For 60 years, Paul, an alien living on earth and is working with the U.S. government. He hides out of sight in a top secret military base ... Paul is behind everything we dreamed about extraterrestrials, to merchandising scenarios Encounters of the Third Kind , AND or X Files. Unfortunately for him, now that the U.S. government He was taken off all the interesting information on extraterrestrial life, he decides to get rid of him. Paul managed to escape and then come face to face with two teenagers retarded fans of science fiction that crisscross the U.S. with a camper. Paul convinces them to take him with them and help them leave the land. The task is even more difficult for our two "heroes Sunday" that they are pursued by a relentless cop is assisted by two FBI nickel feet ... Theatrical Release March 2, 2011

The famous duo Simon Pegg and Nick buddies Frost already seen in Hot Fuzz and Shaun of the Dead in particular that I appreciated comedy and zany love story in the middle of London devastated by Zombies ... They are back this time with a new friend came from the depths of the universe, an alien named Paul. After a stint at the San Diego Comicon, a real go for fans of movies, TV, SF, etc. Comics. the two friends decided to make a road trip on the side of Area 51 in a camper, so it is there that will make the encounter of the third type (haha) and even protect them, men in black, launched in his quest to kill him, the U.S. government does not need that ...
So Paul is primarily a film for Nerds and Geeks other, it Popos a ton of references primarily related to the series and movies of the 80s, but remains accessible to the general public, there is a nod to films like Titanic! Paul's behavior is rather surprising ease in his sneakers, he normally lives on the earth for 60 years and is the source of much entertainement U.S. level. It is rather vulgar and forgot the good manners that will make you laugh more than a spectator in the room ... I got it a bit jaded, it was not the best jokes and sometimes I found it a little heavy. The Men in Black are more stupid than the main characters. In fact the duo Frost / Pegg is excellent, alchemy is always the same, knowing that Simon Pegg a little below and behind in favor of his friend Nick Frost beta less than usual. There are good scenes and funny with a little unexpected role for Sigourney Weaver nice.
Our friend from outer space I have not touched once, even though his side was lazy sometimes sympathetic, I much prefer Roger straight out of the cartoon American Dad who disguises herself besides all the time ... However, side effects rendering is almost perfect, it is real ...
In summary, a comedy destination for moviegoers rather geeks still well run level script and sequences of events, but you never get bored during the latter part of the film, a bit long in that tangle of feelings marshmallow for a limited purpose only classic films overseas Atlantic.

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DVD Review: Creatures of the West (The Burrowers)

Synopsis: In 1879, in an area deserted and barren Badlands, farmers and Military and join a troop in search of a family disappeared. Suspecting the first Indian to have taken this family, they will discover something more frightening and not quite human ... DVD Release February 22, 2011 distributed by Metropolitan


In a genre already endangered, although the Cohen Brothers contradict me, "Creatures of the West" (The Burrowers VO) is a nice little survival horror sauce cowboys gone unnoticed as released in direct-to-dvd and directed by JT Petty. Little-known actors to counter except the X-files Toomer or Percy the Green Line: Doug Hutchison. We share
therefore accompanied by a troop of horsemen across the great West Indian territory in between rides and campfires interrupted by attacks of creatures 'burrowing' ... If the idea is good and the rarity of such are the main qualities of this film, we regret too many lengths that some will seem acceptable to present especially the decor and the various characters. What how to kill these creatures is as original and we appreciate the special effects makeup from the creatures themselves, sort of insect crawling giant half-man half-monster with sharp teeth, not to mention the victims that they paralyzed by the poison. We also noted some inconsistencies regarding certain decisions made by characters such as letting a young single man on horseback with a girl on the verge of death while one is supposed to protect this young cowboy ... Also suspected director to answer some shots, after so many lengths where evil is suggested, the gore scenes explode in the last 20 minutes of film, too many imbalances and paradoxes in this achievement seems to be following a path of many classic films horror.
Note nevertheless that the story addresses issues of racism between whites and Indians, those of respect for the ecosystem and the takeover of nature on man following the destruction against it. In short
"Creatures of the West" is advising fans to western and / or film of horrors and changes a few battles between cowboys and Indians that we used to see .. .

Review made possible thanks to the site Cinetrafic.fr

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Review: 127 hours Danny Boyle (127 hours)

Synopsis: On April 26, 2003, Aron Ralston, a young man of twenty-seven, sets off for a hike in the gorges of Utah. He is alone and has accused person of his tour. Mountaineer experienced, it collects the most beautiful peaks of the région.Pourtant, deep down a canyon, the unthinkable occurs: above him stands a rock and trapped his arm in the wall of rubble. Here he is trapped, threatened with dehydration and hypothermia, a prey to hallucinations ... He talks to his former girlfriend, his family and wondered if the two girls he met in the canyon just before his accident will dernières.Cinq days later, realizing that relief will not arrive, he will have to take the worst decision of his life ... Theatrical Release February 23, 2011.
After the Oscar winner
Slumdog Millionaire, Danny Boyle gives us that time-a movie concept based primarily on the performance of a single player and the talent of its realization, of course. If the film makes us think Burried because there is only one actor in the film, though there are just over in 127 hours, the comparison stops there because the film by Danny Boyle much more realistic and intense. James Franco
epitomizes the young adventurer just unconscious, a little immature and irresponsible and will be confronted with himself and who is going to get deep inside him, perseverance and courage necessary to survival to escape a situation almost desperate and hopeless.

Based on the true story and the novel recounting the race itself and the misadventure has lived Aron Ralston "Louder than a rock", 127 hours you take the guts.

The film begins quietly and we did see some beautiful pictures through the magnificent landscapes of Canyonlands National Park in Utah, but quickly sinks into a dreamy backdrop least since the character of Aron will be stuck between two cliffs, one rock on his right arm preventing him to get away ... The challenge then is to captivate the audience for over an hour to follow thoughts, behavior, hallucinations Aron who will go through several states, panic to anger but derision, madness and this for almost 5 days ... James Franco's performance has much to do and it is not harmless if nominated as best actor Oscars for 2011. It will take your breath and you'll become one with him, so he feels all the emotions seem real. This young man more lonely than ever, we will embark on his thoughts and cling to its own references, a commercial for a soda when he died of thirst, for example put images in the form of a clip so well known as Danny Boyle make. Aron goes especially thinking hang on his family, his parents, his sister, his ex, his work colleague, it is also thanks to his family that he will draw the strength to overcome his fear and try to get the unimaginable out of his trap.

short, a true theater experience! Being in the company of a man for over an hour stuck in the bowels of the earth (hell?) With above it the sky (heaven?), 127 hours is a true survivor film that came to so realistic outcome may faint hearted attention, you cause discomfort as I could see the room where I was ... This was consonant with the U.S. promotion for the film with their "I Kept My Eyes Opened for 127 hours" that makes sense ... And if you're still not convinced of the true lesson of cinema I leave you with the grandmother of James Franco, which itself explains the reason why he should go see the movie of his little son. ..

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Corrigendum article "World"

A corrigendum will be given to the last sentence of the article entitled "Is Arthur Rimbaud or another?" published February 19.

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The Prodigies - The Prodigies

The Prodigies is a movie using computer graphics that revisits the 80 best-selling "Night of Prodigies "by Bernard Lenteric.
In New York, five children were brutally assaulted in Central Park. But these teenagers are not like the others: with an incredible intellect, they are able to take control of others, and carefully prepare their revenge ...
Far from an idealized or futuristic, it is a portrait extremely graph, rooted in the reality of New York, you will discover. A very simple vision, combining sleek contours and lighting effects inspired by the works of Edward Hopper.
technical side: The Prodigies is at the forefront of innovation technology in terms of motion capture and 3D terrain, offering an unforgettable experience that will undoubtedly turn a page in the history of animated films.
Note that one of the directors worked on the popular video game FPS and one of my favorites: Half-Life.
I encourage you to visit http://www.whereareyou.fr/ to to move from the other side of the mirror and "liker" dedicated page on Facebook .



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The response of Mr. Andre Gunthert

is very kind of bothering to linger on my questions. I no longer hope to get Rimbaud right about my alleged "mistake of dating," while I did that take, as I have already explained many times, the benchmark time of the effective extension of the method, I can confirm that different guidance published, for reasons I explained at length in my thesis.

Fortunately, this has limited significance, since your further investigation effectively puts an end to the issue of identification of Dutra. While the relief seems have been executed according to the known photograph, which he would therefore only alternative, but the monument is clearly a concrete proof ...! I tip my hat to you my congratulations for having solved the mystery of the photo of Aden. Why doubt it? Is it based on your particular design of a little intellectual conversation that you have stored forever in the box of your implacable enemies? Think again. In this debate, I've never pronounced than on arguments that seemed most reliable. Dutra is now your evidence solid. All stakeholders in this debate you owe thanks. The real analysis of the icon can now begin Rimbaud

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The pub in MAD MEN: Meet Matthew Weiner

Celebrated for its glamor, its historical accuracy and delicacy of his characters, MAD MEN also shines with its décor The world of advertising. Taking a backdrop of Madison Avenue agency, the series explores a medium to both conservative and precursor of changing attitudes. Series L'Hebdo has applied for analysis to Matthew Weiner, creator of the series visiting Paris last week.

Also in summary
- Zooey Deschanel CHICKS AND DICKS
for FOX - The writer of The Social Network as a guest in 30 Rock
- BORED TO DEATH is back for a second hilarious season!
- FRIDAY NIGHT LIGHTS: the underdog U.S. series back on DVD
- the same eyes as Lost password JJ Abrams series screened

Bonus finally a trailer inspired by the Belgian chain
Premium Series ...

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Gunthert Mr. and Dr. Dutra, Jacques Bienvenu

Mr. Gunthert just spoke recently on the photograph of Aden and I take this Early news Rimbaud to intervene in this discussion. Once again we are still talking about the inexplicable mistake of dating Mr. Gunther made regarding the date of onset of the process by the gelatin silver bromide. Mr. Gunthert having said that the decade 1880-1890 was "very precisely cut in half "by the introduction of new technology, the gelatin-silver bromide or dry plate. Inexplicable as it is at odds with the thesis that even the author to put online and which states that "From 1879, the process in gelatin silver bromide is experiencing a rapid expansion of its distribution in France, first with amateur photographers, especially in the regions, but also professional ... "Nevertheless, Mr. Gunthert challenges the references I have data that indicate that the process was popularized in 1879. So in conclusion, I hope with this issue, I posted two pages of the bulletin of the French Society of Photography in September 1879 which proves beyond doubt that the process is completely popularized at that time just read. I would add that the likelihood of a traveler or explorer in Aden, knowing this process is even bigger than this city was under British rule and the gelatin-bromide was initially rependu England. Moreover, the presence of two certified professional photographers attending the Hall the universe makes the assumption Revoil even more hypothetical.

Dutrieux / Photography Thierry Selva / DR

Mr. Gunthert remains one of the most ardent defenders of the presence of Rimbaud. He is also full of finesse, leaving the heavy artillery to others. Thus, Mr. Gunthert has understood that denying the likeness of the bearded Dutra left was useless. However, we see immediately bring obstacles that seem totally insurmountable. Thus, initially, he stressed no documents proving the absence of Dutra in Aden in August. However, always very objective, Mr. Gunthert agrees with my analysis of the letter and said Dutra very convincing and therefore can not be Dutrieux in Aden in August. But now stands suddenly another hurdle posed by Mr. Gunthert: And if that was not Dutrieux the picture? (Observe that Mr. Gunthert never arises the same question regarding the pseudo-photograph of Rimbaud). It's all very clear that the man who gave the photograph to the Geographical Society of Paris knew Dutra, which is an essential point (they were both member and general secretary respectively of the Geographical Society of Cairo), this does not suffice as proof. So we absolutely need another picture to prove it's good Dutra. Mr. Gunthert knows that it is very difficult to find another picture, and he certainly think there have been a good barrier for a long time. So I'm not exactly a picture but a sculpture show.

Tomb Dutrieux Tournai / Photography Thierry Selva / All rights reserved

The sculpture looks like the photograph that we know. So you may be entitled to assume that those who erected this monument would not have chosen a picture that does not look like him. The photograph would have few reasons to be authentic.

I also states that there is in the Library of Brussels a lithograph Dutrieux modeled exactly the picture of the Geographical Society but I do not have permission to publish it.

Mr. Gunthert wrote recently:

"The problem is actually over the timetable of Dutra. I have written in my last post commentary: analysis of Welcome on the letter of February 18, 1881 seems to think quite convincingly. Remains to verify that the person on the photo of the Geographical Society is Dutrieux (we have already seen cases of misattribution, and identification is not based so far on a single picture). Once we have confirmation that there will be no serious reason to support the hypothesis Rimbaud. "

Mr. Gunthert will rank there again my reasons? Will he consider there is more reasonable basis to support the hypothesis Rimbaud? It is doubtful.

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Excellent detective Reinhard Pabst, Jacques Bienvenu

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Review: Last night Massy Tadjedin

Synopsis: Joanna and Michael live in New York. No cloud, no doubt never came darken their relationship, until each be tried on the same night ... While Michael is on a business trip with Laura, a young woman as attractive and enigmatic, Joanna recrosses Alex, the other great love of his life. The 36 hours will require everyone to make choices ...
Released in theaters February 16, 2011

Last Night is the debut of screenwriter Massy Tadjedin as a director who also explores the theme of infidelity, those of attraction and temptation that may feel a woman and a married man, yet real in their relationships. Film dialogues exchanged mainly between 4 characters, the film feeds on a simple scenario that will yet lead us into the many thoughts expressed openly like other innuendo, looks, gestures, facial expressions and filmed very closely you can imagine, certainly intended by the director.
With a cast including more prestigious with the bright (and unfortunately too thin) Keira Knightley plays perfectly the ambiguity, Eva Mendes on the lookout for good and far from being indifferent to Sam Worthington rather flat and nonexistent boundary face Guillaume Canet a seducer in her role as Frenchy romantic ...
Time for a long night, the couple goes their separate ways, be faced with the temptation to deceive his own half ... I do not spoiler again because everything revolves around these four characters who are 2 by 2 a night they'll remember .... Some will certainly lengths, others will be interested in this psychological analysis on the reason or reasons people cross the line despite all the promises and pledges made. Last night
dissect romantic relationships with people who like everyone else's strengths and weaknesses especially wondering about adultery and its potential consequences. So fond of this kind of film that still suspense for who will deceive each other? Rather realistic, Last Night will make you think about the mysteries and complexities of human relationships or love itself. The theme is not new, but we appreciate the interpretation of actors with a caveat for Sam Worthington. Finally, we may regret an imbalance in the treatment of the subject finally wanted to demonstrate the various ways to deceive his own half (!)... you to see the movie to know that .... too macho or too feminist? The somewhat abrupt end, as you say ... or not.

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Rimbaud and Banville treaty by David Ducoffre (Part One) Two explorers

In spring 1872, Rimbaud has ever upset the rules of poetry in verse. Unable to determine the break of eleven syllable verse of the poem Tear . Some poems contain false to a line of six syllables appears in the middle of the poem pentasyllabes Golden Age. Difficult to understand the pattern of rhyming poems such as household Young, Comedy of thirst or Tear always, not to mention May Banners . This joyous massacre conventions experienced warning signs. For example, in 1871, Rimbaud has practiced hybrid rhyme a word ending in "s" with a word that ended either with an "s" or a "z , "or with an" x ". This is true of the rhyme "green-cabbage": "rubber" of the poem my little loves doubly culpable: and the "c" and the "s" discredit the choice of the plural "rubbers" as a rhyme in singular "green cabbage" . The audacity of Rimbaud is a continuation of daring romantic poets: Hugo, Baudelaire, Banville and others. Then, suddenly, Rimbaud would have worsened the provocative approach. In such a framework of understanding, metricians were asked to date each of the successive types of transgressions. Before Rimbaud, slow This change enabled a better understanding and consider the strengths of the system. From 1872, it only remained to see how global destruction brought about by Rimbaud. This view is somewhat schematic and never failed to reach a more nuanced speech, but we remain locked in a comparative approach between the body of different authors or different eras. However, Jacques Bienvenu discovered a cause external to the changing metric Rimbaud: the Little Treaty of French poetry Banville.

long, we believed that the treaty had been published until 1872. The document passed just to the past as contemporary verse by Rimbaud and no one thought to consider it as a trigger. Jacques Bienvenu revealed that the first four chapters of the treaty were published in L'Echo the Sorbonne during the school holidays of summer 1870. With great insight, the critic noted that Banville had responded at the same time the first letter of Rimbaud and it was likely that this response comportât an allusion the forthcoming publication. The first four chapters of the treaty became a possible source of ideas expressed in the letters say "You" or even daring verse three poems contained in the letter of 15 May 1871 Demeny. That's because Banville forgot to outlaw rhymes with a singular plural (name reductive convenient) that Rimbaud would have dared to throw his head into my little loves poem rhyme provocative "green cabbage" : "rubber" we talked above. Such is the thesis of Welcome which we fully support. It may be noted that included in the same match, the poem Parisian War Song is known for his break in the alternation of masculine and feminine rhymes in the last quatrain. The previous quatrains opened by a male rhyme (no final "e") and ending with a feminine rhyme (with "e" final), which forms a feminine cadence: "because , "/" green "/" Picard / "Open" or "hot" / "oil" / "right" / "role". The final quatrain reversed the distribution by a masculine cadence "loll" / "Squat" / "break" / "friction", which was a direct successor to two distinct feminine rhymes of a quatrain to another: "role" / "Loll". Rhymes with potential title Odes funambulesques banvilliens triplets in the Heart tortured and sent to Izambard references ironic poems in the margins "What rhymes!" Complete and strengthen this hypothesis we have avoided empty folder here exhaustively.

Jacques Bienvenu also gave an eloquent proof of the importance of reading Rimbaud. In the letter which contains the poem What the Poet about flowers , Rimbaud comes Banville to as an "imbecile", which is clearly referring to the awkward speech of the author of Small Treaty of French poetry overwhelming the reader expected this name, as the bias that would not naturally poet he would not have received the innate gift of rhymes and it would be reduced to learn to imitate the aesthetic rendering compliance. Whatever the moment the enormities, blunders and absurdities accumulated by Banville in his treatise, it is nonetheless clear that Rimbaud had read many ponder this theoretical a practitioner for which he had the sympathy and admiration. However, after the treaty was published at the end of the year 1871, roughly at the time of lodging of Rimbaud by Banville. Therefore, the treaty as a whole might have inspired the entire revolution of Rimbaud metric for the year 1872. Here comes a new thesis Welcome. Paul Verlaine and Arthur Rimbaud had long discussions between them by treaty, and this would have earned as much from 1872 to the Rimbaud that Romances sans paroles Verlaine.

We are able to prove Welcome that was right, and this evidence does not involve an analysis in terms of rhyme, but by analyzing the plane of the inventory of meters.

continued ...

Bibliography :

WELCOME, Jacques, "What is said about poets Rimes" , wild Parade, No. 5 symposium, conference proceedings of Charleville-Mezieres in September 2004, 2005.

WELCOME, Jacques, "Intertextuality Rimbaud: Banville, Mallarme, Charles Cros "wild Parade No. 21, 2006.

WELCOME, Jacques, "The Art of Poetry Verlaine: a response to the Treaty of Banville, Europe, No. 936 (issue devoted to Verlaine), April 2007.

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Rimbaud hunt photography of Aden, published by Jacques Bienvenu in "The Monde.fr" The impossible

can read the article at this address .

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Dutrieux stay in Aden in August 1880 by Jacques Delahaye Welcome

Here are some details about the supposed presence of possible Dutra in Aden in August. The schedule Dutra of little-known 1880. It is only known by a letter he is in Egypt in December 1880 and he talks about his stay at Stout. There is no evidence that there is in August and I express the greatest reservations about a recent document allegedly found. In fact, just read the letter Dutrieux February 1881. As I said earlier, Dutra had obviously reported early in his letter that he had seen Lucereau November 1879 and also in August 1880. He did not and that should suffice. However, it is only in the body of the letter further evidence adds. Indeed, Dutra cites a report of article in an Egyptian newspaper yesterday, and it only gives the pieces. Most importantly, it isolates the following excerpt which concludes the newspaper quotes:

"[...] ... Mr. Lucereau had to return to Aden until at July ... "

Given what follows and what precedes this passage, one senses that this is the last visit Lucereau of Aden, and therefore it should be understood that it remained only until July 1880. Peter Dutra who isolates that date, would have had another opportunity to clarify that it was the month of August with Lucereau. In addition, the doctor continues to comment on the newspaper itself in speaking of the letters in Cairo that "apparently" Abu Beker had received. Now we know that Lucereau himself who received the letters and that he expected in August. The information Dutrieux are second hand, it has never been in Aden in August 1880.

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inventor of several unpublished poems of Rimbaud? (Fourth and last part) By David Dutra Ducoffre

There are other indications of authenticity to observe more closely . In 1925, the text of Delahaye had a new publication as a book called Memories familiar and it's a new version of the poem which we then presented. The poem has four extra lines which meet one of Hugo's consummate art processes. The rehearsal proclitic trimeter by the caesura: "I my femur! I have my femur! I have my femur! ", Inspired by the boldness of the most advanced theater and Hugo's Les Fleurs du Mal Baudelaire. We find this practice dear to Hugo and Verlaine repeats distributed as it contradictory to the plane metric: "That's forty years since I bistourne +", "The femur worked for forty years! ; The four additional to replace exactly one line of dots version of 1908, which proves that Delahaye had immediately aware of presenting a truncated text at this location. Add these four to promote obscene equivocation around the word "femur". These four lines have they been censored in 1908, the life of Isabella?

Witness of Rimbaud's life ended up sacrificing the words of the first half-line with its occurrence confusing word "irruait. But what needs attention is the grooming of punctuation. We saw above that both in these verses that this relationship in his prose, Delahaye offered an abundance of exclamation points followed by suspension points "! ..." or "?!... This punctuation Wild is penalized on the printed text of 1925, where exclamation points appear self-sufficient, "Apostle!", "the Sit n / About Us!", "bald! "" Forty years of siege! "The quotes also disappear. Only Steve Murphy dreamed up such variants. However, we do not know by what legerdemain, it is arguable that the trimeter "I have my femur! I have my femur! I have my femur! "Was transcribed:" I have my femur! I have my femur! I have my femur! "in 1908, although he admits that this verse and the three that follow it in 1925 were absent from the original version, as it is easy to verify the above. In all cases, Washing it is revealing. The poem reflects specific practices in the nineteenth century and, if the punctuation is enriched familiar prose of Delahaye, will anyone believe he was using either actually in verse poetry? This lack of respect is more likely Rimbaud. At first glance, such daring is local, scarce even in the writings of Arthur. Someone will say, 'Damn, so the forger would be an otherwise enterprising Delahaye Rimbaud! "No, because it is even less likely that two poems of Rimbaud Album zutique have a more abundant use this particular method of punctuation. Now this famous Album zutique was discovered only long after the publication of Memories familiar in 1908 and 1925: Delahaye was therefore unable to draw the poem Exile to five out of six punctuated by an exclamation mark followed by a variable number of dots "!....", "" .. "" !.... , "," !.... ""! ... " nor Remembrances of old fool, another animated satire that presents five examples of such a type of punctuation "!" ... "to which add a variant with a question mark" Forgiven? ... "and probably also the case still good especially the cadenza, exclamation point over the final point:" And do we draw the line!. "According to Steve Murphy in 1999 Rimbaud "seems to have entered an ellipsis after but not shown in the fac-s." The remark seems more than ever well founded. It is now difficult to doubt: Delahaye actually transcribes a manuscript Rimbaud! ...

Finally, in his edition of Poems Steve Murphy drew attention to the arrangement of rhymes. It is obviously a poem into quintiles. Four stanzas we have finally arrived. The first known cinquain seems incomplete for the three syllables of a name convention Boor preferred silence modestly. But to trust to the version of 1908, begins with a cinquain proposal: "Whose irruait nave ..." We're missing is the beginning of the poem. Called almost all of the poem, the 1908 version was amputated four verses of the third quintile known: do we miss out a single original cinquain? How to explain this loss the beginning of the poem, which recalls the lost case of another poem in quintiles Man just that we miss the first twenty verses? Delahaye he had access to a mutilated manuscript? Slips of the poem had they been separated? The beginning of the poem he was transcribed at the end of a letter has disappeared? Modesty would explain it to withhold the beginning of the poem?

Why Delahaye he also maintained dotted lines after each of the first two quintiles? Yet it is trying to trust him when he pretends to quote almost entire poem. Strangely, the fusion of the third and fourth quintile is not known as the default print edition of the familiar Memories in 1925. For, as it was in 1908 Delahaye mistakenly published the latest to the third Cinquain known company of only four known to the bottom quintile. Poorly rhymed, the "stanza" of 1908 was perfectly hybrid, but we can not fail to reproduce the new state in 1925, which is not explained it is not a complete correction. Four novel to allow recovery of a cinquain world, but, inexplicably, is central to the bottom quintile, which continues to desperately miss the call. These quintiles have a rhyme scheme ABABA type. Not reported by Delahaye, it omitted the reference to a penultimate rhymes with "born-"! This appeared to missing it at the bottom of the leaf manuscript? The leaflet was it torn, defaced at this point? Were there any reasons not to disclose this Alexandrian? Delahaye has he forgotten in 1908, before you forget to add in 1925? Again, it is impossible to solve anything in the current state of our knowledge. To invite the four unreleased still think that Delahaye consulted the manuscript beyond 1908, unless he has held in reserve to four on a transcript personal. Quote this passage, but also a sample of prose which frames and which reflects a significant reworking of the text:

[...] In another room, the Republican author of the pamphlet is taken to part of a much more severe. It is this time in the presence of the enemy that threatens his influence in his glory, and here I can quote from a good piece great fun. Listen to this man who ran, breathless, panting with fury

... ... ... ... ... ... ... ... ... ... ... You

Menti, on my femur, you lied, fawn

Apostle! Want to Sit n

From Us? You want to peel our bald?

But I have two femurs bistournés and burned!

... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...

Because you seep daily college

On your coat collar enough for a donut,

Whether you're a dentist mask, at the armory

A horse plucked drooling in a cone,

Think erase my forty years of seat!

... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ....

Then he straightens, majestic, magnificent, it confuses Northeast and pulverized forever:

I my femur! I have my femur! I have my femur!

is what forty years I bistourne

On the edge of my chair loved in hickory;

printing wood stays there forever;

And when j'apercevrai, me, your body impure

To all your subscribers, Epistle [sic], to your subscribers,

Pertractant this body slumped in their hands,

I will edit, all tomorrows

femur This worked for forty years! (1)

Such literature, although it s'égayât the expense of its opponents point captivated Mr. N ... It really came out of his habits too.

(1) An excuse to explain something that everybody understands. This is a "sitting" stubborn old man that does not change his opinion and that symbolizes the Ardennes Email ; he stayed so long on the same chair as the edges of the cabinet had "worked" his femur as the chisel of a sculptor.

This explanatory note Delahaye shows he does not know the meaning of the poem. Is it a veil thrown over the use of obscenity in the singular "femur"? An impression prevails strongly. Everything happens as if the writer was unaware of dealing with a poem in quintiles. The first two are separated by dots instead of simple white typography. The next two are melted into one another. We can not agree with the presentation of the poem by Steve Murphy in his edition of Poems . The bottom two quintiles are announced by a prose text that demarcates the previous two quintiles, while the dotted lines can be clearly associated with either an initiative of the poet, or a state of incomplete document. Finally, neither in 1908 nor in 1925, Delahaye does observe the gap in the penultimate verse, clear gap in terms of rhyme scheme. Steve Murphy is one that has targeted this anomaly in its 1999 edition, but with a covering note suggesting that awkward Delahaye himself warned us: "The poem seem to be organized into quintiles (non-typographical if we can trust Delahaye) with Scheme rimique ababa : a v. thereby missing the last quintile where indicated . This critical remark reveals a penchant for Steve Murphy to believe in the authenticity of the poem. However, Delahaye had noticed nothing at all in terms of versification of the poem, which contributes not a little to thicken the mystery of this quotation. Is it possible that he did not have access to a document first hand? How could he add four lines to the poem?

For those who want to offer these last two quintiles, dare we suggest the following transcript (note punctuation our hypothetical trimeter !...):

I have my femur ! ... I have my femur! ... I have my femur! ...

is why for forty years I bistourne

On the edge of my chair loved in hickory;

printing wood stays there forever;

j'apercevrai And when I, your body impure

To all your subscribers, clown, to your subscribers,

Pertractant this body sprawled with their hands,

[...]

I will retouch for all tomorrows

This

femur worked for forty years!

Needless to continue to think of fabrications from Delahaye. The question is who possessed manuscripts of "unclean", that of a stanza from June 71 against Desdouets (Delahaye that did not bother to recall in his book Memories of familiar 1925 ) and a fragment of a poem into quintiles? Delahaye? Perrin? Berry? Verlaine? New? A Ardennes? Where are these manuscripts today? That's real and right now unanswerable questions. And what a great lack of clarity of public Rimbaud! ... What a lesson! ... To take things at the very least, it brought us to let slip the manuscripts of two unpublished poems! ...

Pony Express Motorhomes

in Aden in August 1880?

Mr. Gunthert spoke recently on the question of the presence of Rimbaud photography of Aden. He ends his article as follows:

"Pace Desse and Causse, I'm not convinced by the comparisons featuring portraits of the bearded figure identified as George Révoil, and is the most obvious resemblance Dutra. We must thank Jacques Welcome to the new progress in studying the document. But the picture of Aden bears the imprint of a technical achievement that must be made consistent with other available information, and that means all the month of August 1880. Dutra, who was in Egypt this summer, is it passed through Aden at that time? No document can prove the contrary. But with a bit of malice, we can say there is one who testifies indeed: it Photo of Hotel de l'Univers. "

Mr. Gunthert says there is no document that would establish that Dr. Dutra was not in Aden in August. A curious way of presenting things. Maybe he should start by reversing the proposal and that there is no evidence that he went there at that time. But I am able, with a bit of malice, to prove that Mr. Dutra was not in Aden in August. I give this detailed information in the coming days. However, I agree with Mr. Gunthert when he finds that the resemblance to the bearded Aden is obvious. Note also that Mr. Desse has published a pictorial "Rimbaud retouched" in the Visual Culture website which Mr. Gunthert is the managing editor. The latter seems to have participated in this case with Jean-Jacques Lefrere. It also seems that it refers to certain articles in the blog Rimbaud drunk.