words smack of the whip as divine marquis on the theater stage of Abbesses. Five women confront them in verbal jousts beautiful and cruel. Five women on stage and yet the main character of this piece is a man who, though absent, haunts all minds: the Marquis de Sade.
During three days, which span a period of 18 years, compete, unite, distrust and oppose the wife, Renee de Sade, Anne's sister, the devout Mrs. Simiane the Libertine de Saint-Fond and Madame de Montreuil, the stepmother of the Marquis. Under the gaze of the servant Charlotte played by a man imprisoned in sumptuous gowns cage on wheels, they spin on a checkerboard floor, evoking the Marquis for the praise or boo, at least try to understand the fascination it exerts on them. Taken in the turmoil of the revolution in progress, they try desperately to believe in God.
Mishima wrote "Madame de Sade" in 1965 five years before his suicide. It started with a historical enigma: the absolute fidelity of the wife of the Marquis de Sade, despite suffering more than physical entities that inflicts her husband, then his sudden break out of prison Marquis. The work questions the desire of a woman who devotes himself heart and soul into his amazing husband "who has learned a hard play of light and transmuted into the substance holy essence of junk he had collected" as if she could not rise to the height of his husband that his opponent libertinism absolute absolute fidelity.
The staging of Jacques Vincey hits the eyes and minds with its refinement and precision. The distribution is remarkably uniform very well this beautiful text, and the adaptation part of Mishima by André-Pierre Mandiagues in an elegant and sumptuous is very clear.
"Madame de Sade by Mishima Jacques Vincey, Theatre des Abbesses until 24 October then tour in France.
During three days, which span a period of 18 years, compete, unite, distrust and oppose the wife, Renee de Sade, Anne's sister, the devout Mrs. Simiane the Libertine de Saint-Fond and Madame de Montreuil, the stepmother of the Marquis. Under the gaze of the servant Charlotte played by a man imprisoned in sumptuous gowns cage on wheels, they spin on a checkerboard floor, evoking the Marquis for the praise or boo, at least try to understand the fascination it exerts on them. Taken in the turmoil of the revolution in progress, they try desperately to believe in God.
Mishima wrote "Madame de Sade" in 1965 five years before his suicide. It started with a historical enigma: the absolute fidelity of the wife of the Marquis de Sade, despite suffering more than physical entities that inflicts her husband, then his sudden break out of prison Marquis. The work questions the desire of a woman who devotes himself heart and soul into his amazing husband "who has learned a hard play of light and transmuted into the substance holy essence of junk he had collected" as if she could not rise to the height of his husband that his opponent libertinism absolute absolute fidelity.
The staging of Jacques Vincey hits the eyes and minds with its refinement and precision. The distribution is remarkably uniform very well this beautiful text, and the adaptation part of Mishima by André-Pierre Mandiagues in an elegant and sumptuous is very clear.
"Madame de Sade by Mishima Jacques Vincey, Theatre des Abbesses until 24 October then tour in France.
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